“Superstition,” released in 1972, is one of Stevie Wonder’s most recognizable and influential songs. With its infectious groove, funky rhythm, and powerful horn arrangements, the song became a definitive track of the 1970s and marked a high point in Wonder’s career during his “classic period.” “Superstition” not only showcased his extraordinary talent as a musician but also addressed themes of superstition and irrational beliefs, reflecting his evolving artistry and social consciousness.

About The Song

• Musical Composition: “Superstition” is known for its distinctive clavinet riff, which Stevie Wonder played himself, creating a signature sound that became iconic in funk and soul music. The song blends funk, rock, and soul elements with a driving rhythm section, horns, and Wonder’s dynamic vocal performance. The tight groove, syncopated beats, and innovative use of the clavinet make “Superstition” a standout example of Wonder’s ability to craft complex, danceable music that remains fresh and exciting decades later.
• Production Details: The song was produced by Stevie Wonder himself and recorded at Electric Lady Studios in New York City. Wonder played most of the instruments on the track, including the drums, clavinet, and Moog synthesizer, showcasing his multi-instrumental talent. The production emphasized a raw, live feel, which contributed to its dynamic sound. The use of innovative recording techniques, like multi-tracking and experimenting with sound textures, helped define the song’s distinctive style.
• Cultural Impact: “Superstition” quickly became a cultural milestone, resonating with audiences for its infectious energy and memorable message. It was a key part of Wonder’s album Talking Book, which played a crucial role in the evolution of funk and soul music in the 1970s. The song’s lyrics, which caution against believing in superstitions and irrational fears, struck a chord in a period marked by social change and exploration of new ideas, making it an anthem of both personal empowerment and broader cultural reflection.
• Live Performances: Stevie Wonder’s live performances of “Superstition” have consistently captivated audiences with their energy and musicianship. Known for his ability to transform the song into a dynamic showcase of his talents, Wonder often improvises during performances, extending the track with extended solos and engaging the crowd. His performance on the television show Sesame Street in 1973 is particularly memorable, demonstrating his skill and charisma in a setting that reached millions of viewers.
• Song Legacy: “Superstition” remains one of Stevie Wonder’s most enduring hits, recognized as a classic in funk and soul music. The song has been covered by numerous artists across various genres, from rock bands like Stevie Ray Vaughan and Double Trouble to jazz musicians. It is frequently included in lists of the greatest songs of all time and continues to be a staple on radio playlists and dance floors around the world, proving its lasting appeal and influence.

“Superstition” stands as a testament to Stevie Wonder’s genius as a musician, songwriter, and producer. Its combination of funky grooves, thoughtful lyrics, and innovative production techniques has made it a timeless classic that continues to inspire and entertain new generations of listeners.

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Lyric

Very superstitious,
Writing’s on the wall,
Very superstitious,
Ladders bout’ to fall,
Thirteen month old baby,
Broke the lookin’ glass
Seven years of bad luck,
The good things in your past
When you believe in things
That you don’t understand,
Then you suffer,
Superstition aint the way
Hey
Very superstitious,
Wash your face and hands,
Rid me of the problem,
Do all that you can,
Keep me in a daydream,
Keep me goin’ strong,
You don’t wanna save me,
Sad is the soul
When you believe in things
That you don’t understand,
Then you suffer,
Superstition ain’t the way,
Yeh, yeh
Very superstitious,
Nothin’ more to say,
Very superstitious,
The devil’s on his way,
Thirteen month old baby,
Broke the lookin’ glass,
Seven years of bad luck,
Good things in your past
When you believe in things
That you don’t understand,
Then you suffer,
Superstition ain’t the way,
No, no, no